Boiling an egg in a paper bag,
a campfire crusade for the captain’s closure
as a shrunken sky ripples and blurs
like an impure sea as wormy smoke
steals an ancient glow melting
races and faiths – they all dropped their genes
as I suck out the yolk with a straw.
For exercise I cycle to the wind farm,
mother of power stomach of weather
lost on plain and slippery shore of doubt.
Penniless I walk on my head for balance,
check my book for sanity and pleasure
circling about my never empty plate
of last chicken Humpty hardened breakfast.
Starting in Cincinnati, still entrenched in the Midwest, Michael M. Marks was schooled during the cold war/fallout shelter era evolving to anti-Vietnam war college days, from Elvis to the Rolling Stones. The first of the baby-boomers, he is the middle child of five born in a six year span, always fighting to be heard. Currently younger than each of his own five children, he recently celebrated his fifteenth birthday for the forty-eighth time.
This poem is part of a larger work called 28 American Sonnets. Below is Marks’ description of the work:
Preface
As the 15th century ended, the perception of our planet turned from flat to globular, from two to three dimensions hanging in a larger body. I have convinced myself that the shape of our existence transcends three dimensions. Consider the dissection of a multi-dimensional magical Mobius strip, transforming into its simple origin, returning to its base, the fictional spot pointing to a single invisible dot where all forms start–or end. Is there truly such a period in the complex symmetry of all we can imagine?
If so, the images are so brutally obtuse compared with anything we know, hence the pieces of the evolution revolution only attempt to be hazy tickles or perplexing blind eye glimpses of backward, upside down, or inside-out stages of firecracker happenings interpreted by almost lost instincts camouflaged in word orders a psyche apart, relating to flashes of strange lifeform cycle changes.
There must be a lifecycle order, as evidenced by reoccurring sequences and man’s continual quest to document similarities. I tease the yet to be discovered formula of regeneration, hiding somewhere like the fountain of youth, in fourteen line bursts which peek into the forbidden organization, views so short, you aren’t certain that you really heard or saw them.
If you’ve gotten this far, you are on track to becoming comfortable with my kamikaze spit and sputter stutter doublespeak lapdance phraseology heaping words like legos, unpacking my bags of farmer’s market fantasy groceries fresh off the wagon often approximating one hundred forty syllables per meaning unit. Look upon the form as a sonnet out of uniform, on a dressdown Friday: a ponnet – perhaps, possibly, partially, probably…
About 15 of the 28 American Sonnets have been published so far. Two more will be in Issue #1 of Liebamour Magazine.

